Inferno summary and analysis

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inferno summary and analysis

Dante's, inferno, summary

Citation needed xibalban ballgames edit hunahpu and Xbalanque played ball in the same court that their father and his brother had played in long before them. When One hunahpu and his brother had played, the noise had disturbed the lords of Xibalba, rulers of the maya underworld. The xibalbans summoned them to play ball in their own court. Citation needed When the twins began to play ball in the court, once again the lords of Xibalba were disturbed by the racket, and sent summons to the boys to come to xibalba and play in their court. Fearing they would suffer the same fate, their grandmother relayed the message only indirectly, telling it to a louse which was hidden in a toad's mouth, which was in turn hidden in the belly of a snake in a falcon. Nevertheless, the boys did receive the message, and much to their grandmother's dismay, set off to xibalba. Citation needed When their father had answered the summons, he and his brother were met with a number of challenges along the way which served to confuse and embarrass them before their arrival, but the younger twins would not fall victim to the same tricks. They sent a mosquito ahead of them to bite at the lords and uncover which were real and which were simply mannequins, as well as uncovering their identities.

Inferno by dante Alighieri (book, analysis

Upon completion of their work, they hid and lay in wait, and when the book animals returned they attempted to catch or scare them off. Citation needed most animals eluded their capture. The rabbit and the deer they caught by the tail, but these tails broke off, thus giving all future generations of rabbits and deer short tails. The rat, however, they did capture, singeing his tail over the fire in revenge for the act. In exchange for mercy, the rat revealed an important piece of information: the gaming equipment of their father and uncle was hidden by their grandmother in her grief, for it was playing ball that was directly responsible for the deaths of her sons. Citation needed Again a ruse was devised to get their equipment, the twins once more relying upon trickery to meet their goals. The pair snuck the rat into their home during dinner, and had their grandmother cook a meal of hot chili sauce. They demanded water for their meal, which their grandmother went to retrieve. The jar of water, however, had been sabotaged with a hole, and she was unable to return with the water. When their mother left to find out why and the pair were alone in the home, they sent the rat up into the roof to gnaw apart the ropes that held the equipment hidden, and were able to retrieve the equipment their father and uncle. It had long been a favorite pastime for their father, and soon would become a favored activity for them, as well.

Cabrakan prided himself as the one to bring down the mountains, and upon hearing such a tale, he predictably demanded to be shown the mountain. Hunahpu and Xbalanque obliged, leading Cabrakan toward the non-existent mountain. Being skilled hunters, they shot down several birds along the way, roasting them over fires and playing upon Cabrakan's hunger. When he asked for some meat, he was given a bird that had been prepared with plaster and gypsum, aly a poison to the god. Upon eating it, he was weakened, and the boys were able to bind him and cast him into a hole in the earth, burying him forever. Citation needed discovery of One hunahpu's gaming equipment edit some time after the expulsion of their older siblings, the twins used their special powers or abilities to expedite their gardening chores for their grandmother - a single swing of the axe would do a full. The pair covered themselves in dust and wood chippings when their grandmother approached to make it seem they had been hard at work, in spite of the fact they spent the whole day professional relaxing. However the next day they returned to find their work undone by the animals of the forest.

inferno summary and analysis

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In doing so, the "grandparents" indicated they were but a poor family, making a living as doctors and dentists and attempting to care for their orphaned grandchildren. Upon hearing this seven Macaw requested that his teeth be fixed since they had been shot and knocked really loose by the blowgun, and his eyes cured (it is not specifically said what ailed his eyes). In doing so the grandparents replaced his jeweled teeth with white corn, and plucked the ornaments he had about his eyes, leaving the god destitute of his former greatness. Having fallen, seven Macaw died, presumably of shame. Citation needed seven Macaw's sons, zipacna and Cabrakan, inherited a large part of their father's arrogance, claiming to be the creators and destroyers of mountains, respectively. The elder son Zipacna was destroyed when the twins tricked him with the lure of a fake crab, burying him beneath a mountain in the process. The maya god Huracan again implored the young twins for help in dealing with seven Macaw's younger son, cabrakan, the earthquake. Again it was primarily through their cleverness that the pair were able to bring about the downfall of their enemy, having sought him out and then using his very arrogance against him; they told the story of a great mountain they had encountered that kept.

5 Defeat of seven Macaw and his family edit At a point in their lives not specified in the popol Vuh, the twins were approached by the god Huracan regarding an arrogant god named seven Macaw ( Vucub Caquix ). Seven Macaw had built up a following of worshipers among some of the inhabitants of the earth, making false claims to be either the sun or the moon. Seven Macaw was also extremely vain, adorning himself with metal ornaments in his wings and a set of false teeth made of gemstones. Citation needed In a first attempt to dispatch the vain god, the twins attempted to sneak upon him as he was eating his meal in a tree, and shot at his jaw with a blowgun. Seven Macaw was knocked from his tree but only wounded, and as Hunahpu attempted to escape, his arm was grabbed by the god and torn off. Citation needed In spite of their initial failure, the twins again demonstrated their clever nature in formulating a plan for seven Macaw's defeat. Invoking a pair of gods disguised as grandparents, the twins instructed the invoked gods to approach seven Macaw and negotiate for the return of Hunahpu's arm.

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inferno summary and analysis

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During their younger years, the utm twins were made to labor, going to hunt birds which they brought back for meals. The elder brothers were given their food to eat first, in spite of the fact they spent the day singing and playing while the younger twins were working. Citation needed hunahpu and Xbalanque demonstrated their wit at a young age in dealing with their older half brothers. One day the pair returned from the field without any birds to eat, and were questioned by their older siblings. The younger boys claimed that they had indeed shot several birds but that they had gotten caught high in a tree and were unable to retrieve them. The older brothers were brought to the tree and climbed up to get the birds, when the tree suddenly began to grow even taller, and the older brothers were caught.

This is also the first instance in which the twins demonstrate supernatural powers, or perhaps simply the blessings of the greater gods; the feats of power are often only indirectly attributed to the pair. Citation needed hunahpu further humiliated his older brethren by instructing them to remove their loincloths and tie them about their waists in an attempt to climb down. The loincloths became tails, and the brothers were transformed into monkeys. When their grandmother was informed that the older boys had not been harmed, she demanded they be allowed to return. When they did come back to the home, their grandmother was unable to contain her laughter at their appearance, and the disfigured brothers ran away in shame.

For the combination of prefix and pictogram, a reading as Yax Balam has been proposed. The name "Hunahpu" (pronounced hunaxpu ) is usually understood as Hun-ahpub 'One-Blowgunner the blowgun characterizing the youthful hero as a hunter of birds. Citation needed The head of Hunahpu is used as a variant sign for the 20th day in the day count or tzolkin, which in these cases may actually have been read as hun)ahpu rather than 'Ahau' (Lord or King). The 20th day is also the concluding day of all vigesimal periods, including the katun and baktun. The head of Xbalanque is used as a variant for the number nine ( balan being similar to bolon 'nine.

Citation needed Twin myth summary edit The following is a detailed summary of the popol Vuh Twin Myth, on from the death of the heroes' father and uncle. Citation needed early life of the heroes edit hunahpu and his brother were conceived when their mother Xquic, daughter of one of the lords of Xibalba, spoke with the severed head of their father Hun. The skull spat upon the maiden's hand, which caused the twins to be conceived in her womb. Xquic sought out Hun Hunahpu's mother, who begrudgingly took her as a ward after setting up a number of trials to prove her identity. Citation needed even after birth, hunahpu and Xbalanque were not well treated by their grandmother or their older half-brothers, One howler Monkey and One Artisan. Immediately after their births, their grandmother demanded they be removed from the house for their crying, and their elder brothers obliged by placing them on an anthill and among the brambles. Their intent was to kill their younger half-brothers out of jealousy and spite, for the older pair had long been revered as fine artisans and thinkers, and feared the newcomers would steal from the attention they received. Citation needed The attempts to kill the young twins after birth were a failure, and the boys grew up without any obvious spite for their ill-natured older siblings.

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Xbalanque - the 'war Twin' - is more animal-like, in that he is distinguished by jaguar patches on his skin and by whiskers or a beard. Citation needed certain iconographic scenes are suggestive of episodes in the popol Vuh. The Twins' shooting of a steeply descending bird (the ' principal empire Bird deity with blowguns may represent the defeat of Vucub-Caquix, whereas the principal maya maize god rising from the carapace of a turtle in the presence of the hero Twins may visualize the resurrection. This second scene has also been explained differently, however. 4 In any case, the Twins are often depicted together with the main maize god, and these three semi-divinities were obviously felt to belong together. Therefore, it is probably no coincidence that in the popol Vuh, the Twins are symbolically represented by two maize stalks. Citation needed names and calendrical functions edit The name "Xbalanque" (pronounced ʃɓalaŋke ) has been variously translated as 'jaguar Sun' ( x-balam-que 'hidden Sun' ( x-balan-que and 'jaguar deer' ( x-balam-quieh ). The initial sound may stem from yax (precious since in Classical maya, a hieroglyphic element of this meaning precedes the pictogram of the hero (although it has also been suggested to be the female prefix ix- ).

inferno summary and analysis

Bartolomé de las Casas described Xbalanque as having entered the underworld as a war leader. His description refers to the kekchi town of Carcha. Xbalanque is also the name given to the male protagonist in earlier variants of the kekchi myth of Sun and argumentative moon, where he is hunting for deer (a metaphor for making captives and capturing the daughter of the earth deity. In these cases, hunahpu has no role to play. Citation needed Iconography edit Another main source for Hero Twin mythology is much earlier, and consists of representations found on maya ceramics until about 900 ad, and in the Dresden Codex some centuries later. 3 Clearly recognizable are the figures of Hunahpu, xbalanque, and the howler monkey scribes and sculptors. Hunahpu is distinguished by black spots on his skin, which are probably those of a corpse, thus marking him out as one who descended into the underworld. On the Preclassic murals from San Bartolo (maya site), the king, marked with a black spot on the cheek, and drawing blood from his genitals in the four corners of the world, appears to personify the hero hunahpu.

father and uncle were defeated and sacrificed. Two sons were conceived, however, by the seed of the dead father. The pregnant mother fled from Xibalba. The sons - or 'Twins' - grew up to avenge their father, and after many trials, finally defeated the lords of the Underworld in the ballgame. The popol Vuh features other episodes involving the Twins as well (see below including the destruction of a pretentious bird demon, vucub-Caquix, and of his two demonic sons. The Twins also turned their half-brothers into the howler Monkey gods who were the patrons of artists and scribes. The Twins were finally transformed into sun and moon, signalling the beginning of a new age. Kekchi (Q'eqchi traditions edit It has been noted that in the upperworld scenes of the popol Vuh, hunahpu has the dominant role, whereas in the underworld, Xbalanque takes the initiative.

The complementary pairings of life and death, sky and earth, day and night, sun and moon, among multiple others have been used to represent the twins. The duality that occur between male and female is often seen in twin myths, as a male and female twin are conceptualized to be born to represent the two sides of a single entity (Miller and taube 1993: 81). The Twin motif recurs in many native american mythologies; the maya twins in particular could be considered as mythical ancestors to the maya ruling lineages. Citation needed, contents, the hero Twins in word and image edit. The sources on the hero Twins are both written (Popol Vuh, early Spanish historians and iconographic. Classic maya iconography clearly demonstrates that the earlier Twin narratives must have diverged considerably from the 16th-century popol Vuh myth; to what extent, is a matter of dispute. Popol Vuh edit, many versions of the Twin Myth must have circulated among the mayas, but the only one that survives in a written form is the. Classical k'iche' version in the, popol Vuh.

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Two lively were-jaguar babies on the left side. La venta, altar. The two were-jaguars depicted and on Altar 5 at la venta as being carried out from a niche or cave—places often associated with the emergence of human beings—may be mythic hero twins essential to Olmec mythology 1 and perhaps forerunners of the maya hero Twins. The, hero Twins shooting a perched bird demon with a blowgun. The, maya hero Twins are the central figures of a narrative included within the colonial. K'iche' document called, popol Vuh, and constituting the oldest maya myth to have been preserved in its entirety. Hunahpu and, xbalanque ʃɓalaŋke in the, kiche language, the Twins have also been identified in the art of the Classic mayas (200-900 AD). The twins are often portrayed as complementary forces.

inferno summary and analysis
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